From the window I see red roof tiles, chimney pots and the Heathrow flight path. The neighbours across the way have a roof terrace with a gentrifying water feature and a Buddha bust among the pot plants. In the street there are three dry cleaners, a chemist, an off-license, two corner stores without corners, a restaurant, a pizza take-away and a greasy spoon. I think they are all owned by one man who parks his Porsche outside the greasy spoon each day.
My neighbourhood is wedged between Holland Park, Hammersmith and Shepherd’s Bush with its rapidly rising mega-mall. Cross one street to the right and I’m in Holland Park; one stop from Kensington and some of the most expensive real estate in the city. Cross another street and I’m in social housing estates, high rises and dross-scapes. My block, street, neighbourhood reeks of the juxtapositions of wealth and cat piss; the contradictions of a global city marked by the ebb and flow of human movement. The heritage of Caribbean to Iranian to Somali to Punjabi to Arabic all embedded in faded, painted over, signage.
London is a dense city, shifting its identity from one street to the next, and you need all your senses to navigate across it. You need to bend with the buffeting of rush hour commuters and high street shoppers. You need to hear how close the buses and taxis are to your cycle lane.
Unexpected things happen in this city. Oblivious, on the bridge from Embankment tube station to Southbank, headphones on, two couples tango, silently, deeply, intently and completely engrossed in the movement of a toe, a hand, a neck. A silent disco also involves headphones plus two DJs. Unexpectedly, I realise that dancing is actually a very communal, visual act and if your dancing partner suddenly switches to the other channel with a completely different beat then you experience instant arrhythmia. It’s also very difficult to snog someone when you’re both wearing industrial sized head sets.
Only in London would World Wide Knit in Public Day coincide with International Naked Cycle Day AND the Queen’s Birthday. Only in London could I row across the top of a building into the sunset. This ‘demented playground’, this ‘wanton happening’ created by the Austrian art collective Gelitin (Psycho Buildings, Hayward Gallery, London, July 2008). Only in London would I get a ticket for cycling in Holland Park by the Parks Police. What anti-social behaviour are they expecting in Holland Park that they need two parks police on patrol one superb summer’s morning – someone popping their champagne cork too loudly? Or worse, putting their champagne in the wrong glass? Unexpectedly, far from the madding crowd of Kensington and Chelsea, in the middle of the dross industrial landscapes of north London are a series of canals lined by wild flowers, herons, cyclists, joggers, fish, plastic bags and barges.And you need all your senses to make sense of things like Piccadilly Circus with faux New York Times Square neon signs now surrounding the statue of Eros, and where Macdonald’s proudly announced ‘Coming soon: a new sign from MacDonalds’ (22 July 08). Is that a piece of post-modern simulacra I see before me?
I spend quite a few days engaging in psycho-geography, or putting it another way, wandering around the city. It’s for research, okay! For example, Saturday mornings I cycle to Borough Market through Hyde Park, past Buckingham Palace, Westminster and the London Eye, then into back streets along Southbank until hitting the cobble stones behind Shakespeare's Globe Theatre.