‘We learn a place and
how to visualise spatial relationships, as children, on foot and with
imagination. Place, and the scale of place, must be measured against our bodies
and their capabilities’ (Gary Snyder, Blue Mountains Constantly Walking).
It’s the hottest day of the year in Hendaye (33 degrees), a
prelude to a thunderstorm of Pyrenéean proportions. A good day then to start
the GR10.
To the question of why I would want to walk 866km over the
Pyrenées there is the usual reason of finding out things about yourself you
would never discover sitting on a beach. Like how something happens when I pull
on a pair of trek pants, and I go from being compulsive about cleanliness to
becoming very relaxed about collecting increasing amounts of assorted dirt and stains. Those same pants wont get changed until they can
stand up by themselves – usually after a week or so. I also discovered that I
feel perhaps a touch too much schadenfreude when getting into the gîte before a
downpour and watching the late-comers arriving sodden and bedraggled.
There is experiencing the joy of having all worldly
possessions in a 50 litre backpack that I can get down to 12 kilos. So familiar
is it to me that I can find anything in it, in the dark, at three in the
morning (important when suddenly feeling the urge to pee and needing to find a
torch).
There is the simplicity of a routine (get up, dress,
breakfast, clean teeth, finish packing, walk, lunch, walk, find gîte, shower,
wash socks/undies/t-shirt, sit in bar with cup of tea or beer and greet others as they arrive, check route for next day, read/knit/chat, dinner, sleep), but a routine
that never tires as each start and end point and route in-between is a
different world to the one yesterday and the one that will be tomorrow.
There is the development of patience and managing unpredictability.
The guidebooks offer a basic steer but the trail changes through the season:
avalanches, flash floods, forestry and road works all demand their toll. Shops may not open, gîtes may be closed, the weather could do its
own thing. And then there are people. Despite possible signs of misanthropy it
is necessary to develop a certain degree of tolerance and respect. I may not
like hearing the surplus resonance of Daft Punk emanating from other walker’s
earphones but if it helps get them up the side of an escarpment then I can hum
along for the few moments it takes to pass.

There is the time and space to think profound thoughts or
think nothing at all. The latter is incredibly easy to do most of the time, which produced occasional moments of anxiety when waking from a moving daydream
and not being 100 percent certain of where I was. But the route in the initial
stages is well marked and as long as I could see the familiar red and white ballisage
painted on rocks, trees, signposts, telegraph poles, or barns every five
minutes or so I figured I was on the right path.
If I was attempting a profound moment of thought it was
mostly about borders as the trail weaves in and out of France and Spain. Praise
be to the border dwellers who slip between languages and ignore frontiers. There
is a surreal moment on Day 1 when the path opens out into a tarmac’ed world of
restaurants and ventas (duty free shops). These are to the French what the
hypermarchés of Calais are to the British, and similarly they flock to them for
the cheaper booze and cosmetics.
There is the joy of feeling like the only person on the
mountain that day and the silence that comes with it: so quiet that it is
possible to hear the sound of the wind over vulture wings as they ride the
thermals close overhead. Other days, however, were surprisingly loud as thousands of bells attached to sheep, goats, horses and cattle on high pastures
simultaneously rang out and rebounded off canyon walls. The rivers roared
as their blood was up after a night’s storm. The vultures screeched in Jurassic
chorus as they stood possessively over a carcass. There is the constant white noise of
invisible crickets, the tapping of my poles and the crunch of my boots on stony
ground. The singing from a funeral in a 12
th century church mixed
with the wind that became increasingly cold as days passed, but under a still
hot sun making for a hazy, late summer reverie.
And then there is just the joy of feeling the world pass at
the speed of walk. It takes five days before the Atlantic can no longer be seen. Small green
rolling hills and farmland become big hills become escarpments become
mountains. The route shifts from path to mule track, single track through
closed, humid valleys, blinking forests, corn and sheep fields, to long
traverses around mountain sides, prairies and ‘guess at which way to go’ paths,
way-finding over karst rocks, along ravines, across cols and open peaks above
the snow line.

Some mornings are a damp rise through the mist, upwards
through clouds coming at me from both sides, hitting the wall of mountain and
rising to meet at the crest, engulfing first distant walkers then finally me.
Skirting crops and boulders, traversing heather, peat and fern raked tightly
against legs and poles. And then downwards in knee crushing descents into chocolate
box villages. There must be a general edict in Pays Basque that decrees that
all houses must be whitewashed the night before I arrive, while the afternoon
light turns the rest of the landscape shades of teal. But as I walk east, and the
villages become more rocky and even more chocolate box, like Lescun, held
within a circumference of peaks in the Aspe Valley, the more empty they seem to
be.
After some time I can’t recall details about scenery. I just
go up and down, up and down again. It gets hot, cool, light and shade. By Day 8
the High Pyrenées are my constant companions, with Pic d’Anie appearing first as a
tip of a peak on the horizon, and over time becoming a monolith directly in
front. The thing with mountains is that looking at them straight on is
daunting. It’s like ‘how the feck am I going to get up that’. But once you
start and get into them you don’t see the whole, the giant. You just see the
steps directly in front. And eventually, one after the other, you get up and
over.
This spatial distortion of walking is one of life’s great
mysteries, as is my ability to climb a pass with maximum inelegance; a pair of
awkward hands and feet entangled in a bit of cabling. Mostly I’m mystified by the
question of where the troupeaux of sheep come from. They cross the Pyrenees, grazing
with such concentration, their patou keeping
a watchful eye, knowing they have complete impunity and right of way in the pastoral
areas (they’re not so stupid). Even a fully constructed ski station that almost
generates a sense of violence when it appears from behind a hill seemingly in
the middle of nowhere, poses no obstacle. So much concrete and modernity,
D’Arrette (Day 10) had the look and feel of hell about it as diggers realigned
rocks for the next ski season. The sheep ignore it and on some hidden signal,
all walk back the way they came, disappearing into the folds of the mountain.
Getting used to the speed of walk is most noticeable when contrasted
with other forms of transport that occasionally overtake: mountain bikes and
assorted vehicles speed past near larger villages and towns. Walking on the
other hand ensures that the random encounter cannot be avoided. The approach
takes time, followed by a ‘bonjour’ and the chance for conversational French.
‘Tu traverse’?
‘Oui, je traverse’.
There is some chat about trail or gear or the weather, then
a slow separation.
My watch was fixed with a new battery in St Jean but I only
look at it at the start and finish of my day. As long as there is light, I can walk. Moving at this speed means watching clouds lift, rearrange themselves a bit and settle back over the peaks. From my picnic spot on the col above Etsaut I looked up and saw the
contrail of a plane high over the mountain in front. At my feet the detail of
the earth continued. A beetle wrestled with the tuna that fell out of
my sandwich. The chunk was several times the size of the beetle but still it
crawls over and under it, finding traction, rolling it, pulling bits off. I
wondered what broad images those in the plane would have of the landscape passing
underneath them, but even though I’m moving at the speed of walk my memories
are also fleeting. I know I’ve been happy, humbled, delighted, silent, dirty,
tired, hot, cold. I recall solid, crumbling, high, blue light. I recall the tin pan alley of animal bells, and the stink of sheep
pens (shit, piss and lanolin). I want to burn them in, these memories: of
mountains and forests and rivers and canyons and sounds and smells and long,
slow traverses into storms and clouds and silence. But they are no more
or less real, no more or less solid, than those from 10,000 metres and 1000km an
hour. It can only be in that very present, on the ground, among the mountains, in my dirty trousers, with my cheese sandwich and a beetle, that the journey and the place I journey through makes sense.